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Camille Graeser-Lectures 2012
International conference
December 3.-4. December, 2012
University of Zurich, Karl Schmid-Strasse 4, Room KO2-F-152
Why is Concrete Art received, besides Switzerland and Southern Germany, most intensely in Brazil and Eastern Europe? Which were and are the mechanisms of this transcultural exchange? Can an analysis of the history of reception contribute to a more differentiated model of interpretation which goes beyond the traditional categories of style and form and includes criteria related to the history of politics, economy and institutions? The conference intends to explore the histories, the sites and the effects of Concrete Art and raise the question of the significance for this historic movement to the current production and discussion of art.
18:15–19:00 Katharina Grosse (artist, Berlin): Opening Lecture
9:00–9:30 Julia Gelshorn (University of Hamburg): Introduction
Chair: Timo Niemeyer (University of Zurich)
9:30–10:15 Doris Annette Hartmann (University of Paderborn): Concrete Art in Poland under Communist Rule
10:15–11:00 Christopher Ketcham (Massachusetts Institute of Technology): Disfiguring Architecture: Gutai, Concrete Memory, and the Pacific War
Coffee Break
11:30–12:15 Paula Barreiro-López (Centro de Ciencias Sociales y Humanas, Madrid): Max Bill and his Concrete Legacy in Spain: Geometry, Design and Political Subversion in the 1960s
12:15–13:00 Abigail McEwen (University of Maryland): Cuba’s Concretos: The Constructivist Revolution
Lunch Break
Chair: Susanne Neubauer (Zurich and Berlin)
14:00–14:45 Sarah Poppel (Berlin): From Virgin Art to Concrete Art – Early Geometric Abstract Tendencies in Rio de Janeiro
14:45–15:30 Adrian Anagnost (University of Chicago): Peripheral Conversations: Concrete Trajectories from Southeastern Europe to Brazil
15:30–16:15 Pauline Bachmann (Freie Universität Berlin): Brasilian Constructivism in Transcultural Perspective
Coffee Break
16:45–17:30 Aleca Le Blanc (Los Angeles County Museum of Art): Constructivist Forms and Industrial Materials. Brazilian Concrete Art in the 1950s
17:30–18:15 Caroline A. Jones (Massachusetts Institute of Technology): Biting the Hand that Feeds – Anthropophagic Concretismo
Prof. Dr. Julia Gelshorn (University of Hamburg)
Dr. Dora Imhof (ETH Zürich)
Prof. Dr. Philip Ursprung (ETH Zurich)
Prof. Dr. Tristan Weddigen (University of Zurich)
Camille Graeser Stiftung, Zurich