Navigation auf uzh.ch
Navigation auf uzh.ch
| Name | Titel |
|---|---|
| Kee Il Choi Jr. | European ornament from China: Henri-Leonard’s Bertin’s Drawings of the Qianlong Emperor’s Vases Chinois (Working title) |
| Dahi Jung | Enlightened: Bidirectional Knowledge Transfer through Natural History Illustrations between China and the West, ca. 1750-1842 (Working title) |
| Isabelle Leemann | Incidental Encounters -Tracing the Biographies of East Asian Art Objects in European Collections Formed through Missions in the 20th Century (Working title) |
| Yun Gao | Picturing Confucian Gender Ethics: Visual Didacticism in Chinese and Japanese Women's Instructional Books (Working title) |
| Saskia Goldschmid | Eyes Beyond Sight: Representing Blindness in Japanese Visual Culture (Working title) |
| Alva-Mathilda Speth | Refashioning local and national disasters in the late Qing – An art historical exploration (Working title) |
| Anna Elisabeth Herren | Through the Multifocal Lens: Visual Representation in Newspaper Photography on China, 1925–1949 |
| Alina Martimyanova | The Intermediality of Reproduced Images: Artists as Print Designers in late 19th Century China |
| Xenia Piëch | Politics of Positioning: Photography and Chinese Experimental Women Artists |
| Name | Titel | Links |
|---|---|---|
| Brigitte Huber | The Significance of the mie Pose in Kabuki Woodblock Prints (2023) | - |
| Sabine Bradel | Forms of Femininity: Suzuki Harunobu’s Early Career Development and the Gendering of Style, 1760–1765 (2023) | - |
| Stella Jungmann | First Impressions? The Translation and Contextualization of Photographic Images of Bakumatsu Japan (2023) | - |
| Rosa Jiyun Kim | Swiss Receptions of Korean Culture and Arts during the 1950s (2023) | - |
| Stephanie Santschi | Visual Vocabularies Within Poetic Microcosms: How Hokusai’s Social Embedding Shaped Content and Presentation of the “Ono” and “Ryakuga” Manuals (2023) | ZORA |
| Nathalie Marseglia | Tsuchi aji – Der Geschmack von Ton: Über das „System Lebende Staatsschätze“ als Referenzrahmen für den Erhalt des Keramikhandwerks in Japan (2023) | |
| Stephanie Gruber Bachmann | Das Ornament und die Linie im Jugendstil (2023) | |
| Marcel Schneider | The Imperial Qín Dynasty: Elements of Governance as Reflected in the Lǐyē 里耶 Manuscripts (2021) | |
| Klaus J. Friese | Aesthetics of War: Japanese War Motif Kimonos (2020) | |
| Fabian Kommoß | Die Sichtbarmachung des Unsichtbaren: Visualisierungsstrategien zen-buddhistischer Kunst (2020) | |
| Heidi Tacier-Eugster | Das Museum Rietberg Zürich und Elsy Leuzinger (2018) | |
| Sofia Bollo | Reframing Ancient China: A Multi-perspective Study on Neolithic Pottery Displays in Modern Chinese Museums (UFSP Asien und Europa). (2017) | FDB |
| Jeanne Fichtner-Egloff | Kindai Bijutsu. Die Japanische Rezeption westlicher Kunstkonzepte um 1900 (UFSP Asien und Europa). (2017) | FDB |
| Lis Jung Lu | When Confucian Spirit Meets Southern Elegance: The Origins and Transmission of Calligraphic Traditions Engraved in Stone During the Northern Qi Dynasty (550-577). (2015) | |
| Charly Iten | Der Teeweg und die Welt der japanischen Teeschalen - Zur Töpferkunst der von Sen no Rikyū und Furuta Oribe geschätzten Brennöfen. (2004) | |
| Ildegarda Scheidegger | Bokutotsusō: Studies on the Calligraphy of the Zen Master Musō Soseki (1275-1351). (2004) | |
| Kim Karlsson | Luo Ping: The Life, Career and Art of an Eigthteenth-Century Chinese Painter. (2003) | |
| Katharina Epprecht | Hasegawa Tōhaku (1539-1610): Untersuchungen zu Biografie, Frühwerk und Tuschmalerei der Reifezeit. (2000) | |
| Khanh Trinh | Darstellung realer Orte: Die "Wahren Landschaften" des Tani Bunchō (1763-1840). (2000) | |
| François Louis | Die Goldschmiede der Tang- und Song-Zeit. Archäologische, sozial- und wirtschaftsgeschichtliche Materialien zur Goldschmiedekunst Chinas vor 1279. (1997) | |
| Albert Lutz | Der Tempel der drei Pagoden von Dali. Zur buddhistischen Kunst des Nanzhao- und Dali-Königreichs in Yunnan, China. (1990) |
