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Los Angeles
The Fifty-Fifth Annual Meeting of the Renaissance Society of America
The University of California and
The Getty Museum
19-21 March 2009
Four sessions dedicated to textile studies
See programme: http://www.rsa.org
I: Mobile Images
Chair: Koenraad Brosens (Katholieke Universiteit, Leuven)
1. Elizabeth A. H. Cleland (Metropolitan Museum of Art, New York):
Small-Scale Tapestries and Private Devotion During the Renaissance
2. Lorraine Karafel (New York University):
Painting, Sculpture - and Tapestries: Raphael's all'antica Weavings and the Vatican's Sala dei Pontefici
3. James G. Harper (University of Oregon):
Solenne Comparsa: Contextual Significance and Mutable Meaning in the Display of Tapestry in 17th Century Rome
II: Textile Spaces
Chair: Candace J. Adelson (Tennessee State Museum, Nashville)
1. Olga Bush (The Metropolitan Museum of Art, New York):
Of Times and Tents in the 14th Century Alhambra
2. Joseph Imorde (Bibliotheca Hertziana, Rome):
Domus Ipsa Rideat. Textile Banquet Accoutrements in Early Modern Times
3. Elisabeth Priedl (Academy of Fine Arts, Vienna):
Santa Susanna's Arazzi Finti. The Textile Medium as a Subject of Debate in Counter-Reformation Rome
III: Clothes and Cloths
Chair: Julia Gelshorn (University of Zurich)
1. Felix Thürlemann (University of Konstanz):
Self-Reflexivity in the Ecclesiastical Paraments of the Order of the Golden Fleece
2. Philipp Zitzlsperger (Humboldt University, Berlin):
Dürer in Furs - Contributions to an Iconology of Clothing in Early Modern Art
3. Mateusz Kapustka (University of Wroclaw):
Alessandro Allori's Cloths. The Textile Recall in Early-Modern Florentine Imagery
IV: Texts and Textures
Chair: Alexander Nagel (New York University)
1. Ursula Lehmann (Humboldt University, Berlin):
Textiles and Law, Tapestries and Tribunals: Judicial Aspects in the Trajan- and Herkinbald-Tapestry
2. Johannes Endres (University of California, Riverside):
Textures and Cuts in Jörg Wickram's Novel The Golden Thread (1557)
3. Rebecca Olson (Oregon State University):
"Full of Device": Taking the Tapestry Metaphor Seriously